Tag: Review

When tech goes wrong: Red Rose – a review

Posted on by Han_A

TW: This drama contains scenes of suicide

Most of us have a love/hate relationship with our phones – their batteries don’t last as long as we would like them to and the apps on them can often waste much of our time, for example. However, the irritating things aside, we are increasingly reliant on them for everyday life – I can barely remember birthdays or my social commitments without mine at this point (the shame, I know.) There’s even a term, believe it or not, for smartphone addiction – Nomophobia, an indicator of just how widespread, if not normal, this phenomenon is becoming in our lives.

This show cleverly taps into this increasing reliance on technology and takes it to a dark extreme. The scariest thing about the whole concept is that it’s not even that farfetched when we think about what tech is capable of and the evil many humans use it for.

The Nitty gritty

The eight episode drama follows a friendship group of six students who have just finished secondary school (year 11 to the UK audience /high school) and are celebrating their freedom in their post-exams summer. Or so they should be. However, a mysterious app named ‘Red Rose’ has other plans for the group and they must eventually end up fighting for their lives (and those of their loved ones) whilst figuring out who is behind the app.

I want to say I started the drama calm and detached but this is anything but true. In fact – and I won’t ruin too much – but RIGHT at the beginning we witness a mysterious and tragic accident without much context. Immediately your mind races with questions that are painstakingly revealed towards the middle to end of the show. The questions don’t ever really end and what follows throughout the drama is a series of events that appear to be unrelated but are at their core all connected.

It’s not all doom and gloom though – there are banterous scenes with humour dotted throughout which help to ease tension and help you relax, even if momentarily. Scenes of kids being kids which made me smile with nostalgia. For example, the scenes at the beginning where they’re celebrating the end of exams and signing each other’s school shirts or the moment they open their results. Made me think about to that feeling of the world being at your feet and the start of something exciting beginning.

My Verdict

In this BBC drama, nothing is as it seems, so be prepared – it’s truly a Northern twist-turner from beginning to end and I’m not complaining! It turned unexpectedly from a show quickly turned into a binge with me on my sofa at 4am doing the classic ‘just one more episode’ and finishing the series. I would be intrigued to see based on the show’s success (it’s trending at number 9 on most watched UK dramas on Netflix at the time of writing) whether a sequel will be in the making. I won’t be mad if they don’t but I’ll definitely be queuing to watch if they do! Overall, would highly recommend.

Some tweet highlights of people reacting to the show:

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Interested? Check out the trailer here. Watched already? Let me know your thoughts!

I do see some similarities between this show and the Mexican drama, Control Z (also set in a high school and involves tech and blackmail), so for fans of this show who fancy another dose, this will be up your street too. You can read my review of that show here.

Here’s that revenge you ordered: A review of Remarriage & Desires and As the Crow Flies

Posted on by Han_A
Photo by Andrea Piacquadio

Revenge is a dish they say is typically best served cold – or piping hot, if you watch either of my watches from today’s review. My recent watches from Netflix are the K-drama, Remarriage & Desires and Turkish drama, As the Crow Flies. Both are fairly new additions to the Netlfix, with the latter being the newest series added to the service. Both dramas, although very unique, possess the common theme of revenge and a related strong rivalry between two female characters who are intent on each other’s downfall. Curious as to what on Earth I’m talking about? Let’s dive into one drama at a time.

Remarriage & Desires

As you would have guessed from previous reviews I’ve posted, I am a massive K-drama fan. Despite this though, I’ve been on a hiatus for the last few months, so this drama marks my (hopeful) comeback. Unlike typical Korean dramas, this one is only 8 episodes – which proves to be the perfect amount of time, to pace the drama, the plot and build tension, as well as character development. Without spoiling the ending too much, it has definitely been set up for a season two to take place – so be prepared that this drama will likely require a commitment of 8 episodes…but for now only.

This drama follows housewife (Seo Hye-Seung) whose life takes a sudden nosedive when scandal and an affair gone wrong force her husband to suicide and leave her unexpectedly widowed and a single mother. As she unfolds the truth of what happened to her husband, she sets her eyes on his mistress and decides to wage war – a decision that will come with tragic results.

By the time I was halfway through this drama, I was in full binge mode and had the full series complete in a few days. It’s honestly so juicy and packs a lot of punches. Unlike dramas like Sky Castle, which centres on the uber-rich, this drama is slightly different in the fact that it centres on two women who are infiltrating the world of the uber-rich but for different reasons. Jin Yoo-hui, I suspect because she’s always longed to be rich and envied the security wealth provides those that easily have it. Whilst, Hye-Seung on the other hand was doing so, not entirely voluntarily but because she saw it as a necessary step to getting closer to Yoo-hui and thus, getting her revenge.

This drama gets a 9 out of 10 for me. My only annoyance is that it was slightly slow on the romantic front. Although Seo Hye-Seung was in an obvious love triangle – her focus on revenge meant she didn’t really express interest in either guy in the triangle, so we couldn’t really read where she stood with either of them (and neither could they, based on how things were playing out!) So, to the directors of the show, when shooting the second season (which I’m convinced will happen), a little fan service won’t hurt – give us the romantic scenes we love; we want to see her enjoying herself and being in love! God knows she suffered enough in these eight episodes.

As the Crow Flies

Carrying on with the theme of revenge, we have the Turkish drama, As the Crow Flies. This series follows Lale Kiran a highflying news reader who seems to have it all, namely a national evening news show that she solely hosts. Her life starts to crumble quite dramatically, once an intern, Asli, who is determined to take her down by all means necessary, enters it.

Interestingly in this drama though, the victim of Asli’s elaborate scheming isn’t actually unlikable, this is what makes it harder to justify Asli’s scheme at all. Lale is a woman at the top with her own struggles behind the scenes (which, little does she know, are set to get worse.) I love the David Attenborough-like commentary in the show which compares the events which unfold in each episode to animals in the wild – mainly lions (those with power in the show) and the bird/crow (Asli – it’s an outsider but it’s ability to see things from a higher vantage point gives it a power the lions don’t have and easily underestimate.)

Ultimately, this drama is about power and although it’s specifically witnessed in a newsroom setting, this could apply to many industries and how they operate. A few people are positioned at the top and they maintain power typically through gatekeeping and tightening their network. Asli, as an outsider trying to get within ‘the gates’ is a bit of a rebel in some sense; determined to get power in any way possible. Her drive is really quite astounding, every move she makes is premeditated to the point you’re actually scared of her. She’s a typical Machiavellian character, her ‘two-faced’ nature helping her avoid suspicion as she plots Lale’s downfall. Asli’s downfall however, is her willingness to try and find a quick route to power, something Lale, as someone who has power, assures her does not exist. One way to look at it is a generational gap in the approach to success, Lale – in her late 30s or early 40s – grafted hard to get her role as a news anchor on prime time Turkish TV. Asli on the other hand doesn’t seem to have much skill but yet seems hell-bent on gaining a role she, therefore, isn’t even qualified for (which doesn’t make much sense.) She’s stubborn and doesn’t seem willing to put in the work to learn the skills needed for the industry, despite her internship providing the perfect opportunity to do literally just that.

Revenge is never really as fulfilling as dramas make it out to be, and I think this is reflected in the drama in some ways. Once successful, it really just starts a never-ending cycle that leaves you vulnerable – something we see at the end of the show was Asli claims she’s feeling a ‘chill’; a hint that something ominous is around the corner. I’ll give this show overall, an 8/10, closer to the end it lost momentum and some unplausible things started to happen, but luckily it recovered and picked up again (otherwise the score would have been much lower!) This series also feels set up for a season 2, so I’ll definitely be looking forward to watching that too and seeing what direction they decide to take with it.

What’s on your current watch list? Do you have any recommendations to share?

Book review: Eleanor Oliphant is Completely Fine by Gail Honeyman

Posted on by Han_A

“These days, loneliness is the new cancer – a shameful embarrassing thing, brought upon yourself in some obscure way. A fearful, incurable thing, so horrifying that you dare not mention it; other people don’t want to hear the word spoken aloud for fear that they might too be afflicted, or that it might tempt fate into visiting a similar horror upon them.” (p343)

Summary

This book follows 30-year-old Eleanor as she discovers the beauty of friendship and undergoes an internal transformation that gives her the strength to confront demons from her past. (I’ve probably made the book sound less interesting than it is but that’s because I’ve tried to keep my overview just provided spoiler-free.)

Gail Honeyman: 'I didn't want Eleanor Oliphant to be portrayed as a victim' | Fiction | The Guardian
A version of the book art commonly seen on UK bookshelves. The book sold really well in the US & UK.

This book was published in 2017 and admittedly I’ve heard a lot of hype around this book, so it’s been on my radar for quite a while (I would say about 2-3 years). But like with many things that gain a lot of chatter, I didn’t want to feel pressured into reading it because everyone else was, so I made a mental note to read it when the time was right. Nevertheless, expectations were high and I was excited to get stuck in and figure out what on Earth this book was about. The title doesn’t give away much and neither does the blurb so it is one of those ‘you have to read it for yourself’ type books, if you want to really understand the themes, characters and general storyline of the book. Please be warned that this book deals with themes of suicide, depression and emotional abuse.

The main point of intrigue for readers of this novel will be the series of events behind much of Eleanor’s trauma, although hinted at early on in the book, the details are slowly revealed later on.

Style

The novel is narrated in first person (from Eleanor’s perspective) and is split into three parts; Good days, bad days and better days. I found the choice of first-person narrative to be very beneficial to me as the reader, since Eleanor seems to observe the world, as well as the situations and people she encounters, in a unique and profound way that would be lost in, say, third person, for example. In particular, I loved how it made me feel like I was in her therapy sessions with her, as she went week after week – each session giving her a life-changing revelation.

Thoughts

My impressions upon reading are that I can see why this book captured the imagination of many readers when it was first released. Eleanor is a very quirky, and ultimately a likable character.* She tends to be very savvy, intelligent and kind-hearted; even if not obvious to those she meets at first, those character traits always come through or stand out to them by the end. Her colleagues, for example, find her peculiar and so tend to keep interactions with her to a minimum. Although the peculiarity may be an understandable first impression, Eleanor, as you grow to learn the more you get to know her, is a classic case of why appearances (and first impressions) can be deceiving.

Eleanor Oliphant is Completely Fine - Book Review - Hasty Book List
Alternative book art

Perhaps due to an a typical childhood, Eleanor is usually not afraid to say things how it is which leads to many awkward (and yet hilarious) public encounters which definitely feel more unique to her as an individual. For example, there was an amusing scene in the later half of the book, where Eleanor is ordering coffee with a friend, and when asked what her name is so it can be placed on her drink, she kicks up a fight, ensuring she has the right to privacy. There are not many books I read that make me laugh or smile often and this one achieved this purpose so, props to Gail for that!

My only qualm (yes, there is one, unfortunately) is that it did feel like, when it comes to Eleanor as a character, she came across as quite caricature-like at times and almost unbelievable. I mean, what 29-30-year-old individual would struggle to order pizza in this day and age? A scene in a similar vein takes place where Eleanor buys a new laptop and seems to be really unfamiliar with how to set it up because she’s never owned one before. Another scene that felt slightly unrealistic in an age where tech permeates pretty much most areas of our lives.

However, I will say for every unrealistic trait Eleanor has, there is one that resonates strongly with readers. Whether it be; the loneliness, the frequent bafflement at human behaviour, the overwhelming desire for companionship & friends, the underlying grief, that niggling ‘what is the point of this?’ feeling of life, the depression. It’s all very real stuff, the ‘baggage’ many of us carry from day to day but don’t always see reflected in the characters we read about in books.

*It’s also suspected, but not confirmed that Eleanor is neurodivergent.

Conclusion

Ultimately, this novel is one about an individual’s journey of growth, self-acceptance and change. Although it may take a while to warm to Eleanor, Gail succeeds in creating a character who you can’t help but root for and empathise with. She’s brutally honest about her flaws and mental health issues, making her relatable, if not iconic, for many readers who have or are currently walking in Eleanor’s shoes.

Book Review: Stay With Me

Posted on by Han_A

Admittedly, I wrote this post earlier this year, since this novel was one I finished as we entered the new year. However, it’s never felt like the right time to post this for some reason but now, in light of Sickle cell awareness month,which was in September (US and UK), I thought now was a good time as ever.

Summary

This book, like a previous book I have reviewed (An American Marriage) looks at how far the boundaries of love in a relationship can be pushed before breaking. The main characters of this novel are young Nigerian spouses Yejide and Akin. The couple has been trying to get pregnant for a while now but to no avail. Happily in love and content, this would not actually be much of an issue for them were it not for gathering pressure from their in-laws to have children. In the traditional Nigerian culture, they belong to, children symbolise wealth and worth. Due to their attempt to conceive being unsuccessful, Akin’s mother suggests Akin get a second wife to solve this problem. This is only the start of a host of issues that unravel later down the line in this book.

Style

The narration alternates between the two partners although, if I’m not wrong, Yejide delivers slightly more of the story’s narration. Once you’re in the heart of the story, this will make more sense as ultimately, Stay with Me is a story about motherhood, love, loss, faith and hope. The story alternates also between two different time settings – one being modern-day Nigeria (2008) and the other being Nigeria in an earlier time of political instability i.e. coups and military dictatorships. Ayobami is not afraid to dig into how these political events affect the everyday lives of the character; something they regularly talk about with each other or with us via the narration. For example, when Yejide first discovers that a coup has taken place she has to decide whether it would be best to open her salon since she is unsure if staff, let alone customers, would turn up for business.

My thoughts

There are no likable characters in this story, everyone has their flaws, and to some extent suffers in some way because of them. For Yejide it’s her headstrong character and her lack of willingness to see any bad traits in her husband. On the other hand, for Akin, it is carelessness combined with the desire to control the life around him that ends up backfiring on him. Usually, I miss having someone to root for and enjoy getting to know more as I read along but that wasn’t the case here.

You know when a book sweeps you away, almost by surprise? Like wowza, that was unexpected – that is this book. It made me ponder on the importance of not being entirely defined by motherhood but the inevitability of being defined by it anyway. On the one hand, your kids won’t always be with you so your character cannot be based on them due to this factor. But simultaneously, motherhood will change you – how can you not be changed by the bringing of life into the world, and then having to suddenly handle this little creature that relies on you alone to live? The pain and sacrifice that shape such an experience is likely to never leave you the same – for better or for worse. This book boldly explores this beautifully and is highly recommended.

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More about sickle cell awareness month and the disorder itself can be found here

A major breakthrough was announced recently with a drug that would be the first Sickle cell treatment in 20 years – you can read more here on this amazing news.

Book Review: Memory of Love

Posted on by Han_A
Grove Atlantic
Cover image from Grove Atlantic

I haven’t written a book review in a while! But, to be fair, as an admittedly slow reader that is to be expected. For the last few months I have mainly been making my way through this book which – I’m pleased to now say – is (very nearly) complete! Yay!

I discovered the novel Memory of Love by Aminatta Forna (2010) very randomly through the ebook library site I use. The blurb pulled me in strongly before the book did and I read it and thought ‘woah, that’s going on my reading list!’ Then the time felt right to start the book and the rest is history.

I’ve put the blurb I read online below so you can marvel at its beauty yourself:

Freetown, Sierra Leone, 1969. On a hot January evening that he will remember for decades, Elias Cole first catches sight of Saffia Kamara, the wife of a charismatic colleague. He is transfixed. Thirty years later, lying in the capital’s hospital, he recalls the desire that drove him to acts of betrayal he has tried to justify ever since.

Elsewhere in the hospital, Kai, a gifted young surgeon, is desperately trying to forget the pain of a lost love that torments him as much as the mental scars he still bears from the civil war that has left an entire people with terrible secrets to keep. It falls to a British psychologist, Adrian Lockheart, to help the two survivors, but when he too falls in love, past and present collide with devastating consequences. The Memory of Love is a heartbreaking story of ordinary people in extraordinary circumstances.

Overview

Without repeating the blurb too much, this book straddles the storylines of three different men – Elias Cole, Kai and Adrian Lockheart. It also alternates between the past and present – with much of Elias’ storyline being told from the past perspective – when he is a young man navigating the pre-civil war era in the country. In contrast, the civil war has past in Kai and Adrian’s era, with nothing left but the devastating ruin it has caused; ‘fixing’ this is something that is central to both Kai and Adrian’s jobs as doctors.

However, interwoven within the stories of these three characters are also love stories – from love that never was to love that was but was barren, and love that blossomed but was brief. These play a central part in the development of each narrator and the trajectory of their lives

My thoughts

Aminatta undoubtedly does a great job of painting a country holding great beauty but also dealing with the deep scars of war. Mentally, people are suffering but yet life forces them to go on to ensure survival. Two stories that particularly stood out to me are of patients Adrian treats during his time at a mental health clinic in Sierra Leone. First is Adecali – a young man who formerly was a child soldier and due to horrors witnessed has a strong aversion to the smell of burning meat. There is also another female patient who repeatedly visits the clinic and is treated by Adrian; Agnes – a mother who mysteriously tends to disappear from home and be found days later at a destination with no recollection of her journey. She becomes a fascination for Adrian who tries to get to the root of her behaviour throughout the book – when her backstory is revealed it is honestly so heartbreaking.

Interestingly, despite being set in a predominately Black country Aminatta decides to have predominately white characters as protagonists of this novel; both Adrian and Elias are white English men who reside in the country within different vocations. Elias, is a lecturer on a university campus, whilst Adrian Lockhart – living many years later – is a psychiatrist. This setup inevitably creates the dynamic of Black stories being told through a white lens. However, this is not something you read the book and are completely oblivious too. Constantly throughout the novel, Adrian (and to some extent Elias) is reminded that as a white man and foreign national, he is ultimately outsider. He will never fully understand the culture, let alone the post-war mental scars within the patients he treats as someone who swooped in after the war and never experienced its horrors himself.

In a similar vein, although there are many women within the book who are pivotal to the storylines of the narrators – Mamakay, Saffia, Agnes, Illeana – because all the narrators are male, they’re forced to the sidelines, which didn’t seem very satisfactory to me. Don’t get me wrong, we do indeed get to learn about them in detail, but it’s always through the lens of the male gaze so we don’t necessarily get to chance to gain a fully intimate connection with them.

My main qualm with this novel, is its length. The ebook itself, which I read, was nearly 1,000 pages I believe – waaay too long for my liking 😥. I’m more of a fan of a shorter books (ideally 500 pages maximum.) Succinct storytelling is celebrated because it is a difficult skill to master but it’s really not a strong point in this book and I do wonder if the long length was necessary.

Final verdict

I would recommend this book – the story is beautifully written and unfolds in such an interesting way. It’s also always refreshing to have a book with a non-Western backdrop. However, due to its length be prepared to invest more time than usual in this book and it characters.

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Want to have a read for yourself? The book can be purchased (physical or ebook) format here.

You can also find out what others what thought here on GoodReads.

My new current read: The Other Black Girl by Zakiya Dalila Harris

Around the World on Netflix

Posted on by Han_A

International TV and film content is where it’s at these days. Although the US does continue to produce some fairly good (and addictive content), many countries outside of the West have equally as good content which tends to (frustratingly) often fly under the radar outside of their own borders. This seems to be, in my opinion, because if it’s not critically acclaimed (i.e. the winner of a BAFTA or a film festival of some sort), then there is a lack of incentive to give it a exposure by the media in the West. Films like Oscar winning South Korean movie, Parasite for example have done a great job of gaining Western exposure – but the Academy Award win does play a significant part in why that has been possible.

In this post I’ve decided to celebrate some international content which I’ve watched on Netflix and would highly recommend you do too (if you fancy, of course).

He Even Has Your Eyes – France

A black French family find themselves in an uphill battle when they decide adopt a white baby. I honestly loved this film, it was comedic but knew when to take itself seriously too. The adoption process is not one that is free from institutional racism and this film does a good job of showing that. Similarly, although I’m sure it definitely happens, we hardly hear of cases where black families adopt white children, so for me, the film has strong premise alone that made it really interesting to watch. The couple at the heart of the film were adorable and I rooted for them at every step. Ultimately, it’s not just about race though but about love, family and perseverance.

Ajeeb Daastaans – India

These series of short films, compiled together in a two-hour ish film are simply amazing. They are able to draw you in, get you emotionally invested in the characters of the story and then – in some cases – leave you hanging. The first story is about a poor man who falls in love with the wealthy but suffering wife of his employer; seems like your typical love story at first but there is more to it then meets the eye. My favourite story is the last one which is predominately done in sign language and explores two parents trying to adapt to life with their daughter who is slowly losing her hearing. I could continue but an easier option is probably just watching for yourself! 😉

You’ve Got This – Mexico

What happens when as a woman your star is rising (you’re smoothly sailing to the top in your career) and your partner decides now is the time he wants to have a child? This is exactly the situation protagonist, Ceci finds herself in with her husband, Alex. Interestingly, she has never wanted children and so her husband sets out to prove one is a good idea – something that seems destined for failure. I enjoyed this film and the themes it tackled; also can we take a moment to appreciate just how stunning the lead actress (Esmeralda Pimentel) is?? Anyway, I’ve always been intrigued in media portrayal of women that don’t want children since growing to love Cristina Yang in Grey’s Anatomy whose storylines predominately centred around this fact. It’s still a counter cultural in the media but actually more common then we think, so I’m interested to see how representation increases around this stance.

Diamond City – South Africa

When I say this series had me GRIPPED throughout you can believe me! After becoming entangled in a conspiracy involving government officials, her superiors at work and the human trafficking of women, lawyer Lendiwe finds herself falsely accused of a crime and thrown into prison. The way this series ended had me on tenderhooks – it will definitely be a great injustice if a second season is not produced.

It’s Okay to Not be Okay – South Korea

This recent watch of mine really melted my heart. It has been on my radar for a while and has come highly recommended by friends, and I can now see why. It’s gentle and nuanced portrayal of mental health makes it a realistic, encouraging and I’m sure even relatable watch for many. I love how each episode is themed around a different children’s story and the significant investment this show makes in each character’s personal development. At its heart it’s about the power and meaning of family but it is also intertwined in a complicated love story between the two protagonists – renowned children’s book author Ko Mun-yeong and a carer on a psychiatric ward – Moon Gang-tae (played by Kim Soo-hyun, who is apparently currently the highest paid actor in South Korea!)

Betty en NY – Mexico/US

This heartwarming telenovela was one of the best things I watched over a lockdown. Based on the original telenovela the popular US TV show Ugly Betty was based on, this series follows Betty as she takes a job as an EA in a fashion house – finds herself and finds love and fights for it! There are so many hilarious moments and the production of this show is so intricate – from the gowns to the sets themselves – everything is to be admired. Do bear in mind though that as a telenovela it’s quite a lengthy show, spanning over 100 episodes I believe. But even with that in mind I was so disappointed when it finished!

Citation – Nigeria

At the start of this film, we see that the protagonist student, Moremi (Temi Otedola) has filed a complaint against one of her university lecturers for attempted sexual assault. What follows is a battle of he said/she said accompanied by flashbacks which reveal the truth to us watching of what really happened. Moremi is a smart, determined female character, I like that she wouldn’t take the injustice she experienced lying down. I did find the constant jumping in between the present and the past a bit confusing at times but there is good commentary to be taken from this film on the many obstacles victims of assault and harassment face when trying to ensure their perpetrators are punished.

The Fishermen’s Diary – Cameroon

This remarkable film chronicles a young girl called Ekah who lives in a fishing village with her dad and longs for an education. She often sees all the young school kids running through the village and longs to be amongst them. However, he dad – one amongst many in the village who don’t see educating girls as a necessary investment – refuses to let her go to school. However, this doesn’t stop Ekah and she decides to take her education into her own hands; – the question is, will she succeed? The sombre realism of this film, was saddening and made it a hard, but yet inspiring watch as you witness this resilient little girl overcome so many obstacles to obtain something many of us take for granted.

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That’s all from me! Let me know if you have watched any of these or have some international film/drama recommendations for me to add to my list.

Don’t forget to follow me on IG @TheArtofChatter 🙂

The Evil within: A review of Girl From Nowhere

Posted on by Han_A

‘Underneath it all we’re just savages, hidden behind shirts, ties and marriages’ – Savages by Marina and the Diamonds

Many theories have argued throughout time that without the laws, social conventions and norms society has created, humans would truly not function properly. The result? Think Lord of the Flies/ The Purge type anarchy. Of course, we’ve never been in the conditions to truly test the validity of this line of thought but if many true crime cases, past and present, have taught us anything is that in the right circumstances humans will naturally care about nothing but themselves.

Recently I’ve been watching the Thai drama on Netflix, Girl from Nowhere. The series centres around a seemingly innocent girl named Nanno who joins a school and starts causing havoc by bringing out the inner demons in those around her. In each episode she operates in a new school and deals with different characters who battle with different individual vices. For the most part she acts as their tempter, the snake to their Eve, honing in on their deepest desires and dangling in front of them something that will unlock them if only they take the bait.

What distinguishes this drama from many others is that not much is revealed about its mysterious protagonist at all – all we do know is that she is devious – borderline genius, borderline maniac. She also doesn’t appear to human meaning the lengths she goes to to teach people the error of their ways will undoubtedly shock you. A Thai audience may perhaps see Nanno has an executor of karmic justice, avenging those who have been wronged and punishing wrongdoers for acts that may have otherwise gone unpunished.

However – and bafflingly so – in some episodes she does seem to torment people that don’t necessarily seem to deserve it. (TK from season one (ep8) and Jenny X from season 2 (ep7)) come to mind.) Yes, they have their issues but then again who doesn’t? Does makes you wonder a bit about how exactly Nanno goes about choosing her targets…

Lots of questions are raised and I enjoy the subtle social commentary found in each episode. Ultimately at the heart of each episode is the question, can this person change? It seems like the assumption to this question in most of the dramas episodes is ‘no’, although we can never say for sure with certainty.

Season two was recently released (which I have now finished 😅) and definitely ups the ante whilst, interestingly, revealing a possible more ‘human’ side to Nanno.

Note that although I would recommend the drama, I would do so cautiously since it has very dark themes (it is rated an 18 on Netflix). A few twitter users have circulated guide with trigger warnings for each episode of season one, which may prove useful. For those who liked the popular drama Black Mirror (also on Netflix) then this drama is definitely for you.

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Have you watched Girl from Nowhere or do you perhaps have it on your Netflix list? Share below and we can discuss! 😊

Some films I’ve recently watched on Netflix include: The Woman in the Window, Run (Netflix film featuring Sarah Paulson), Love Squared, Rich in Love and Atlantics.

*Featured image belongs to Netlfix.

Image description: Protagonist Nanno stands leaning on a wall within a corridor, wearing a school uniform whilst looking into the distance.

The Mystery of Love 2.0 – when love and tech collide: A Review of The One and Love Alarm (Season 2)

Posted on by Han_A

I’m sure if you surveyed the average person, they would tell you that they wanted to find love (if they haven’t already.) However, that journey is a tough, steep one that holds many challenges for several reasons. Social media, and much later, dating apps have already transformed the dating process massively in a relatively short space of time. The two most recent dramas I’ve watch watched on Netflix explore how technology (and science) could further impact dating and relationships in the future and what the effects on individuals lives could look like. Worth a watch or not? Have a read and decide.

The One

The One, Netflix review - the downside of scientific matchmaking
Rebecca Webb (right) with co-founder of The One and close friend from university days, James (left).

This is a new British sci-fi drama and Netflix original consisting of 8 episodes, based on a book of the same by John Marrs. I watched it recently after seeing it in my upcoming list of shows and being intrigued by the blurb (the apps good ol’ algorithm never seems to fail, eh?) In the drama ‘The One’ is the name of the company which provides a matching service based on DNA. It’s as simple as you think – people take swabs, send them to the company and find out who their biologically destined match is! The series follows Rebecca Webb, co-creator and CEO of The One as she goes through desperate lengths to find happiness herself and maintain her position of power at the top of the company. Yet, as the series goes on we find out Rebecca is a woman with a lot to hide and this begins to look less and less possible as secrets are revealed and lives are lost. Definitely worth a watch.

Although, a slightly deterministic approach to love upon initial reading, the interesting thing about this matching approach is that choice does play a huge role in the success of matches. This is contrary to what many of the users of the service seem to think in the drama. Their mentality is ‘we’ve been ‘matched’ so you must be my soulmate, we’re meant to be!’ Which, as you watch the drama, will find to not necessarily be the case. DNA alone cannot be a sole indicator of a good partner, several other factors have to come together to create a successful relationship. As many of the characters discover – secrets, selfishness and lies can easily put an end to any potential happiness you may have or think you serve with your match.

Love Alarm (season 2)

This K-drama is based on a popular web-toon (online comic) of the same name. In the drama, relationships are largely dictated or guided by a widely used app called Love Alarm, which is able to notify you if anyone within a certain radius from you has feelings for you. It was originally created by the protagonist’s (Kim JoJo) former classmate, Chon Duk-gu – an illusive and shy character, who admits he created the app because of his difficulty deciphering the feelings of people around him. To simply the app, it helps users answer the question ‘does my crush (or partner) like me back?’

Is Love Alarm season 2 getting renewed? Here is everything you need to know!!
Promotional poster for the show – from L to R – Sun-Oh, Kim JoJo and Hye-yeong

For those that have battled with frustration caused by mixed signals from someone they liked, this app sounds quite dreamy. Yet – since there’s always a yet – it doesn’t take long to discover it, like the DNA matching service in The One, has its problems. We don’t necessarily see how widespread usage of the app is working, but rather we see a microcosm of its effects through the drama’s main characters. One obvious effect it provides a very awkward and public display of unrequited ‘love’. If two individuals are in close proximity of each other the app will notify one of those people that ‘someone who loves you is within close distance’. However, for the other person…it won’t which can be both scary and heart-breaking.

The app starts to act as an obstacle for characters who are in relationships on the show. For example, Sun-oh’s girlfriend reveals that she dreams about him ringing her love alarm – something he is not able to do when they’re dating. Similarly, due to events from the previous season, Kim JoJo is not able to ring the ‘alarm’ of anyone she likes because she has a feature called a ‘shield’ installed on her app. In her relationship with Hye-yeong, this slowly starts to torture her as she begins to suspect that maybe this is saddening her boyfriend and causing him to doubt her feelings for him.

To Conclude…

Overall, I would say that both dramas show how technology – as we undoubtedly already know – can do more harm then good, even if created with the sincerest intentions. We already use much tech at work and in the home successfully. But with widespread and frequent usage in many circumstances we run the risk of using tech as a crutch, much to our own disadvantage. It tends to happen gradually and then – next thing you know, you can’t remember the birthdays or phones numbers of your friends with your phone, for example! (Based on a true story.) In both shows, we see technology has altered the process of dating and its requirements for many people. The agency seems to shift from self to tech so instead the characters fall into the trap of not thinking for themselves enough. Don’t get me wrong, love is an amazing thing but I think it needs a bit of mystery and effort; surely then the product is more rewarding?

FLAWED BUT BEAUTIFUL: A REVIEW OF MALCOLM AND MARIE

Posted on by Han_A

I finally watched Malcolm and Marie on Sunday to see what the fuss is about. The film – a Netflix original featuring the actors Zendaya and John David Washington – went live on the streaming platform in the UK on February 5th. It has entered most people’s radar because of the controversy surrounding the age gap between the two main actors – with Zendaya being 24 and John being 36. However, much of this discussion happened before the film had even become available – many have now said the age gap is hardly noticeable in the film and if anything, is quite common for those who work in the film industry, like the character Malcolm does.

The film starts off with a couple coming back home from the screening of Malcolm’s film – of which he’s ecstatic about since it seems to have gone well. However, Marie doesn’t seem as happy and he wants to know why.

Viewers are constantly on the outside during this film…something epitomised in the film’s shots at the start, where the camera lingers outside and lets us peek into what Malcolm and Malcolm are doing inside the house. That feeling of looking from the outside never really leaves though and this is because, even as we get familiar with both characters – they each struggle to let us (and each other) in fully.

The Characters

Interestingly, it is hard to pinpoint the two characters fully- however, here is what can be gauged quite easily from viewing the film. Malcolm is a college-educated man, and a deep thinker. He definitely has short fuse though, as is seen from the explosive scenes of chaos that pop up frequently within the film. Although aware of the greys that exist in the world, he seems to see the world through a simple lens of black and white. He also seems to have ego the size of America itself – much to Marie’s annoyance.

Marie, we discover had a bad drug habit at a young age and presumably a troublesome childhood. She models although she once had dreams of acting which she eventually abandoned. She has a dry sense of humour but is deeply internally troubled – trying to escape a past which she still thinks haunts her. Most of the time she seems to brood in silence – a personality which noticeably contrasts Malcolm’s, a man who seems to be very expressive, a wearer of his heart on his sleeve.

What we witness during the film is what can only be a build-up of troubles that have accumulated during the discourse of Malcolm and Marie’s relationship. Although Malcolm mentions them being together at 70, you do genuinely wonder – will they ever make that stage? Behind every layer of love you sense between the two partners, there also seems to be underlying resentment – and vice versa. The entanglement between the two feelings leaves us uncertain of the direction of the relationship right until the last few minutes of the film.

Keeping it Real

Many tweets I scrolled through applauded Malcolm & Marie for its nuanced and realistic portrayal of a relationship. I can see why; the film focuses entirely on the nitty-gritty parts of a romantic relationship – the type most films typically only spend 10-20 minutes on. The insecurities that lurk in your mind. The ‘What-ifs’ that make you doubt your choice of partner. The feeling of being seen but not properly heard by your partner. These are all aspects touched on that are likely very common in romantic relationships and grow the longer you’re in them. The film provides a subtle lesson in the importance of communication and the danger of complacency in any relationship.

This review wouldn’t be doing the film justice if I didn’t mention its beautiful cinematography which I have to applaud. Its 60s-esque black and white appearance gives it a simple and refreshing feel. This simplicity it creates is compounded by the use of only two characters and one setting for the entire film.

Final Thoughts

Overall, the film has many strengths going for it; strong cinematography, great songs and acting, for starters. Zendaya’s knife scene and monologue towards the end from her bed are definitely stand-out scenes, too. However, the film felt slightly dragged out to me and towards the middle, boredom was niggling at my brain. Some films with this format – limited characters and scenes – do work (I recommend American Son on Netflix). However, the ‘will they/ won’t they stay together?’ was not enough to keep me entertained throughout. There needs to be some sort of movement in the plot line towards the end and the characters need to be fleshed out enough to get us to care for them. Neither seems to be the case with Malcolm and Marie unfortunately.

Yet, with Oscar seasoning soon arriving, will the film be included in any award nominations? Well, we’ll have to wait and find out…

All is Fair in Love, War and death

Posted on by Han_A
Cast of the show: in the middle hugging – Dong-baek (right) and her son, Pil-gu (left)

Can someone be your miracle?

This is what the Netflix original K-drama When the Camellia Blooms (2019) tries to answer. Dong-baek is a 30-something year old single mum who runs a bar in the small Korean town of Busan. Although she is super nice and meek, she’s an outcast in the town, stigmatised by her single motherhood and the fact her bar has become a popular hangout spot for all the local women’s husbands. Out of jealousy their assumption is that she must be selling much more than drinks to them to attract them there. Of course, the reality is much simpler than that – the men have looked all around for a viable refuge free from prying female eyes and Camellia – Dong-baek’s bar has slowly become just that.

Her son Pil-gu on the other hand, is anything but meek – he has a vicious bite and has become a very avid protector of his mum who is often not only teased by adults but sometimes gossiped about by his age mates at school. In one amusing scene he shouts at some kids for using his mum’s first name – an indicator that to them she isn’t worthy of respect. However, Pil-gu is slowly getting tired of being his mum’s defender, he’s aware the other kids don’t have to be as protective of their mothers and that he’s perhaps doing too much for what is expected of a child his age. He had his annoying moments (like being insistent on his mum not dating) but if I truly tried to see things from his perspective I could understand the fear behind his behaviour. His mum and him against the world is all he has ever known, so he was understandably worried about a disruption to this dynamic.

When it comes to miracles Dong-baek is very sceptical, after all life has been very hard to her. No matter how hard she works she can’t seem to catch a break or make enough to make ends meet. We learn that she suffers from abandonment and trust issues- these stem from the childhood trauma she has around her mum abandoning her. The drama digs more into this set of events later on towards the end, so the drama is worth a watch until the end.

To make matters worse, Dong-baek is being targeted by a serial killer, nicknamed in the town ‘The Joker’ who has stumped the local police force for several years. There is no common thread between the victims except for notes left at every scene with the same words –  ‘stop being a joke’. She has a few close run-ins with him which mess with her confidence and make her fear for her safety. I think the murder plot line helps to sustain the dramas pace and entertainment. We get to play a mental whodunnit as we try to figure out which character we knew had the most motive and means. All I knew was that it had to be someone local that we’ve been introduced to already as an audience. 

Dong-baek reconnecting with her estranged mum.

Overall, this is a heart-warming story of family, love, friendship and redemption. I cried and I laughed. Although Dong-baek seemed annoyingly coy at first, you do grow to love her; every time you put her in a box she defies expectation and surprises you which is something I really liked. Not only does she toughen up as the program progresses, she learns the true meaning of love and friendship through her relationships with Pil-gu, her mum and her boyfriend, Yong-sik. Dong-baek is played by the actress Kong Hyo-jin who starred in one of my favourite dramas, It’s Okay, That’s Love. To some extent the drama is self aware of k-drama romance cliches – at one point Yong-sik askes Dong-baek if they want travel to an island and she refuses, replying that its likely to lead to the cliche of them missing the last boat and having to share a room together at a random inn. And there is no doubt she is very right – that cliche is all too common.

Other dramas that may be of interest that look more at parenthood; Hi,bye mum, Love and Marriage, Was it Love? and One Spring Day. They’re all available on Netflix.

Trailer for When the Camellia Blooms.

For more Netflix reviews from me you can find some here and here.